Story Structure

Did you know that every film you’ve ever loved follows story structure? From Die Hard to Jurassic Park, and everything in between.

TYPED by KYLER BOUDREAU | FILED under Filmmaking | Updated December 23, 2020

Does that sound like film blasphemy?

It’s true. But does that mean a movie will bore you due to a lack of twists, turns and character development? Of course not. But every film follows a structure. From Die Hard to Jerry Maguire to Black Panther.

Spoiler alert: What you’ll learn in the next few minutes will cause you to see things in films that you’ve never seen before. But when you’re able to point this stuff out, you’re gonna look really cool to your friends.

The structure discussed here is from the late Blake Synder. Blake took ancient conventions of story telling and placed them into contemporary vernacular. However, nothing discussed here is new under the sun. Blake’s books that have helped me the most are Save the Cat and Save the Cat Strikes Back.

Every film you love follows story structure. From Die Hard to Jerry Maguire to Black Panther.

Important Note: By each section I show the time span of a movie the section typically covers. These are loose guides. For example, a 90 minute film is going to hit everything differently than a 2 hour film. Stories also flex these points in different ways. As Morpheus told Neo in The Matrix, “Try not to look at it as right and wrong. It’s a guide.”

Opening Imagery (1-5 Minutes)

Every film has opening imagery. The visual starting place of the film. Something that tells us about the the beginning state of the story. The opening and final imagery should demonstrate the change in the story.

Jaws (1975)

In the first few minutes of Jaws we see a woman consumed by something under the surface in the black of the night. What do we see at the end of Jaws? Two men swimming during the daylight in those same waters, as safe as can be.

The Matrix (1999)

The opening of The Matrix shows us people running for their lives from “agents” in what we later learn to be a fake, digital world. The end of the film shows agents running from a human in that same world. A human who is above the code. The tide has definitely turned.

The opening of The Dark Knight shows us an insane villain lose in Gotham City. Image copyright Warner Brothers.

The Dark Knight (2008)

We’re immediately shown one of the best antagonists of all time: The Joker. He is about to unleash a reign of terror on Gotham City. By the end of the film, he and his terror have been both contained and proven wrong.

Setup (1-15 minutes)

The first 10-15 minutes of a film sets the stage. It includes our opening imagery, and tells us when and where the story takes place. It tells us who the hero is, and we’ll meet many of the main characters — But not all of them.

Jaws (1975)

In Jaws we meet Chief Brody, his wife and kids, the Mayor and other key players. We know we’re in a sea side town and dealing with a man-eating shark. The stage has been set. This is no romantic comedy — We’re about to never want to swim in the ocean again!

Shawshank Redemption (1994)

Our hero is a man in bondage to bad marriage. He’s then thrown in jail for a crime he didn’t commit. Talk about bad to worse! At the end we see him free in every way, and this is cinematic imagery that few will every forget.

Save the Cat (1-10)

The term Save the Cat refers to a story element placed in the first few minutes of a film that makes us like our hero. Something like… Well, saving a cat. Petting a dog. Helping someone in need. You get it. The audience must side with, or at least empathize with, the protagonist of a story right away.

Chief Anderton asks a colleague if she’s had any contractions. Image © 20th Century Fox.

Minority Report (2002)

Within seconds of meeting Chief Anderton (Tom Cruise), we see him ask a colleague if she’s had any contractions yet. This is the Save the Cat moment. Why? Her pregnancy has nothing to do with the story. But is shows us our hero cares about others. When this happens, subconsciously we’re on his side.

When done correctly, a Save the Cat moment can even make us root for a hero who isn’t a good guy at all. Think Godfather, Hannibal and The Talented Mr. Ripley. Characters who may not be likable, are given likable traits to make us empathize with them.

Theme Stated (5-10 minutes)

Somewhere in the first 5-10 minutes of a film, the theme will be addressed. The theme is what the film is really about. The spiritual journey of our hero. Usually the basic theme will be stated by someone other than the hero.

Die Hard (1988)

The plot of Die Hard is about a cop that dies hard against thieves. Die Hard’s theme is about a husband whose love for his wife dies hard. See how the action of the plot mimics the deeper story? This makes a film meaningful. And in Die Hard, the real story was addressed with the limo driver at the very beginning.

Dr. Graham tells the kid to show some respect. This is the theme of Jurassic Park. Image © Universal Pictures.

Jurassic Park (1993)

A punk kid challenges the idea of raptors at the dig site. Dr. Graham tells him to show a little respect. We also see that Graham has issues with kids. These themes persist in huge ways for the rest of the film. Graham learns to love kids, and everyone on the island learns what happens when you disrespect nature and play God. Everything about Jurassic Park hangs on this single moment.

Story Tip: We always have a flawed hero. They might not be “bad” but there is something they need to learn. Example: Can you guess what Chief Brody’s flaw was in Jaws? What his spiritual journey was all about? I’ll tell you in just a minute. Huge kudos if you figure it out on your own!

So a quick recap: The Opening Image and Setup set the stage for a story, the Save the Cat moment makes us like our hero and the Theme is what the film is really about deep down. What happens next?

Catalyst (12 minutes)

Every film begins with a hero living life a certain way. Then something happens that turns their world upside down. When the catalyst happens there is no going back to life as our hero once knew it. Like it or not, they’re on a journey of change.

Jaws (1975)

Chief Brody moved to a quiet town to get away from the madness of New York City. Then a shark attack throws him into more turmoil than he’s ever experienced in New York.

It would have been just another day on the farm without this catalyst. Image © Twentieth Century Fox.

Star Wars (1977)

Luke is cleaning a droid when a message from a princess pops up. This single event will change the trajectory of Luke Skywalker’s life forever.

Jerry Maguire (1996)

A little kid tells him he’s a complete jerk. This prompts Jerry to rethink life and write a mission statement that sends him on an irreversible journey of change.

Debate (12-25 minutes)

Our hero’s world is now turned upside down. What’s next?

Does Chief Brody move back to New York? Should Luke forget he saw the dumb message from the Princess? Can Jerry Maguire keep living life as a disconnected sports agent? Does Hugh Grant ignore the juice he dumped all over a famous movie star? No. There’s no ignoring, but there is a debate.

John McClane realizes he’s gonna have to do it the hard way. Image © Twentieth Century Fox.
Story Tip: Movies are about a hero who chooses to change. They embrace the challenge. But here’s the thing: They don’t know that yet. In most well done films, the hero will say “no” to the journey at least once. Because hey, they’re like the rest of us – they’re human.

Jurassic Park (1993)

When the owner of Jurassic Park asks Dr. Grant to visit the island, the answer is a big resounding no. Grant is way too busy digging up dead dinosaurs. But when funding is offered for his dig site, he changes his tune. Jurassic Park’s debate section continues a bit, as Grant isn’t completely sold. Until of course he sees his first living dinosaur.

The hero will always say “no” to the journey at least one time. Sometimes, they’ll say it more than once.

The Matrix (1999)

Neo chooses not to follow Morpheus’s instruction at work, and is then captured by agents. Afterwards he agrees to meet Trinity (along with Cypher and Switch) in a car where he says “no” again and starts to bail. Trinity has to convince him to see the meeting out. Neo agrees.

Star Wars (1977)

Luke says “no” to going on the journey with Obi Wan Kenobi. But when his aunt and uncle are murdered by storm troopers, the debate officially ends. Luke is ready to continue the journey, which takes us to…

Act 2 (25 minutes)

Films are typically written in a three act structure. Act 2 happens after the hero is done debating, and they’re ready to do something. Our hero makes a conscious choice to step into Act 2. It’s not an accident. It’s always a choice. This is always a turning point. The catalyst changed things up initially, but the choice to enter Act 2 is our next massive course alteration.

Neo is about to make a choice that will change the rest of his life. Image © Warner Brothers.

The Matrix (1999)

When Neo takes the red pill, he willingly steps into Act 2. This film’s Act 2 transition is about as strong as they get. And aren’t we glad? What if Neo had just wimped out and taken the blue pill? Story over.

Minority Report (2002)

Chief John Anderton is framed for a murder. He rushes from the Precrime Building only to be surrounded by his own police officers in an alley. The lead officer tells Anderton to surrender. Chief Anderson says, “Everybody runs” and then in pure Tom Cruise fashion, he charges into Act 2.

Story Tip: Remember, our hero is still flawed at this point of the story. Their attempts at fixing their upside down world aren’t going to work yet. Did you get that? A story is about transformation, and our hero is just at the beginning of their transformation journey. So don’t expect them to do everything right at first.

B Story (30 minutes)

The Opening Image and Setup set the stage. Save the Cat makes us love our hero. Theme tells us what the film is really about. The Catalyst turns our hero’s world upside down. And after they’re done Debating, the hero steps into Act 2.

So what’s next? Our hero needs a little help. Put your hands together to welcome the B story characters!

Some of your favorite actors have been B Story characters. Think Harrison Ford in Star Wars. Richard Dreyfuss in Jaws. Tommy Lee Jones in The Fugitive. Cuba Good Jr. in Jerry Maguire. B Story characters have joined our hero and will see things through to the very end.

Han Solo and Chewbacca appear on the scene to help Luke on his journey. Image © Twentieth Century Fox.

B story characters typically appear about 30 minutes into a movie. How do you know who they are? They help the hero on their journey — Sometimes both the physical and spiritual journey (theme). Even though our hero has decided to take the plunge into Act 2, they’re gonna need some help to figure things out.

The Matrix (1999)

This B story is very unique. Both Trinity and Morpheus lead the B story lineup. However, Neo meets both of them before Act 2. So how does this work? Because Neo doesn’t meet them in the real world until after Act 2. Everything is in The Matrix – The digital version of these characters. Neo meets the real people right where the B story should officially begin.

Die Hard (1988)

John McClane has plunged bare footed into Act 2. Right at the point where he really needs some encouragement, our B Story character shows up: A lone cop who will see things through to the end.

Fun and Games (30-55 minutes)

The Fun and Games section of a film is our last stop before the halfway point. And don’t let the title fool you — Depending on the genre and type of film, things may not be “fun” but they will be very on topic. The film is “having fun” with the subject matter here.

The Fun and Games section of The Matrix is my favorite. We see the first signs that Neo is “The One.” Image © Warner Brothers.

In Jaws this means more shark attacks. In The Matrix, we see the first signs of Neo becoming “The One.” In Jurassic Park we finally see dinosaurs! Typically, the part of a movie poster or trailer that made you buy a ticket will really begin to hit home during this part of any film.

Midpoint (55 minutes)

The midpoint is huge! It marks a distinct change in the story. And for many films, the antagonist comes in FULL FORCE at the midpoint point of the film. For our hero, they are forced to face their “flaw” in a way they haven’t before.

Jaws (1977)

Our FIRST look at the shark, and it’s a brutal attack that we witness in detail. All the way down to a leg floating to the bottom of the bay. Chief Brody’s son is front and center, and goes into shock.

Jurassic Park (1997)

The T-Rex steps onto the screen for the first time at the midpoint of Jurassic Park. It almost eats the kids, and snacks on an attorney. Things just got serious.

The T-Rex steps onto the screen exactly half way into Jurassic Park. Image © Universal Pictures.

The Moment of Grace

This comes from the author of the Moral Premise. In my opinion it’s one of the most important parts of every film. So what is it?

Before the midpoint our hero has been attempting to fix their “upside down world” in the wrong way. On their own without changing themselves and fixing their flaw. This will never work. Then the midpoint happens where the antagonist causes such havoc that our hero is forced to realize what they’ve been doing isn’t working.

In my opinion, the moment of grace is the most important part of any film. Our hero takes their first step towards transformation.

The good news is that after the bad news our hero is presented with a moment of grace where they take their first step towards change. It doesn’t mean they completely change, as that doesn’t happen until Act 3. But our hero is going to finally move towards their final transformation.

Story Tip: Most films end happy. Our hero has changed for the better. However some films like The Talented Mr. Ripley don’t end this way. The hero doesn’t change for the better. In these films, the moment of grace point will mark a decision against change, not for it. So yes, if you see your hero continue in their flaws after the midpoint, you might be up for a sad ending.
Chief Brody takes his first step towards change right after the Midpoint of Jaws. Image © Universal Pictures.

Jaws (1977)

Did you figure out Chief Brody’s flaw? Fear of man. Chief Brody let the Mayor bully him into keeping the beaches open which violated his core job as the Chief of Police — He was supposed to protect people from all threats. Brody’s flaw gave the shark (antagonist) power. All Chief Brody had to say was, “the beaches are closed” and Jaws is over.

At the midpoint (after his son is almost eaten by the shark) Chief Brody pulls the Mayor to the side and demands that he sign the paperwork to hire the fisherman. Chief Brody also tells his wife (when she asks about moving back to New York) that they’re not going anywhere.

At the moment of grace they finally allows themselves to fall for each other. Image © Paramount Pictures.

How to Lose A Guy in 10 Days (2003)

I’ve been hitting a lot of action, thriller and drama. Let’s include a romantic comedy as they abide by the same rules! At the midpoint of How to Lose a Guy in 10 Days Ben (Mathew McConaughey) and Andie (Kate Hudson) visit his parent’s house on Staten Island.

In their moment of grace, they both realize what they’ve been doing until now has been wrong. One is trying to drive the other away, and the other is trying to make them fall in love — All for the wrong reasons. They’re each other’s antagonists. For the first time, they allow themselves to fall for each other.

And when they do…

Bad Guys Close In (55-75 minutes)

What happens in life when you try to make a change for the better? All too often life starts chunking hard balls. And that’s exactly what happens to our hero.

In a romantic comedy like How to Lose A Guy in 10 Days, relationships begin to fall apart. In an action film like The Matrix, the agents gain the upper hand. In Jurassic Park, things continue to spiral out of control on an island infested with unrestrained dinosaurs.

Why all of the bad? Because our hero hasn’t finished changing. They’ve made an initial step in the right direction, but there’s more transformation ahead.

This part of the film will last for around 30 minutes.

John McClane doesn’t think he’s getting out. Image © Twentieth Century Fox

All Is Lost (75 minutes)

75 minutes into a film, after the “bad guys” have been chipping away at our hero, things really go dark. It’s our hero’s lowest point. Many times, the hero’s mentor is either stripped of power, or killed. It’s at this point that the hero often considers giving up, or they think they’re going to die.

Everything is lost.

But it takes this type of pressure to make someone really change.

Die Hard (1977)

John McClane pulls glass from his feet as he realizes he’s not going to win this battle. He tells the B Story cop outside: “Tell my wife I’m sorry. She’s heard me say I love you, but she’s never heard me say I’m sorry.”

How to Lose a Guy in 10 Days (2003)

At the “Frost Yourselves” event when they each realize their relationship started as a game — As a bet. They sing, You’re So Vain to each other on stage. Things are really over.

The Matrix (1999)

Morpheus is captured by Agent Smith. Cypher kills some of the crew and Neo thinks he isn’t The One. It seems like everything has failed.

The Greatest Showman (2017)

P.T. Barnum’s circus burns to the ground. His wife takes the kids and goes to her parents house. They lose their home. Everything is lost.

Act 3 (75-120 minutes)

Once our hero emerges from total despair, they hold on to what they learned at the Moment of Grace. But even though our hero has decided to do the right thing, it’s no walk in the park. The bad guys are going to test this resolve unlike any other point in the film. The final transformation of our hero happens in Act 3 when they “Storm the Castle to rescue the princess”, but instead of a princess, they find a waiting dragon.

Neo storms the castle only to face his ultimate enemy. Image © Warner Brothers.

The Matrix (1999)

Neo begins to believe. He experiences temporary victory when fighting Agent Smith, but the real victory doesn’t happen until he runs for the phone, and opens the door only to be face to face with his ultimate enemy. Agent Smith sends a clip full of .50 caliber bullets point blank into Neo. Neo dies. Then the B Story character (Trinity) helps him come back to life with truth. Neo awakes a transformed man. He always was, but now he truly is The One.

The final transformation of our hero happens in Act 3 when they “Storm the Castle to rescue the princess”, but instead of a princess, they find a waiting dragon.

Star Wars (1977)

Luke makes a courageous decision. He joins the Rebel attack on the Death Star. But when their fleet is decimated, and Darth Vader is hot on his tail, Obi Wan tells Luke to make a big decision: Don’t trust the ship’s equipment to make the shot. Luke is to trust his new understanding of The Force. Luke does, and his transformation from a doubting farm kid to a budding Jedi is complete.

The Passion of the Christ (2003)

Jesus makes the final decision of obedience, and endures horrible Roman torture. He’s whipped and beaten to shreds, and then literally nailed to a wooden cross. At the very last moment while hanging on the cross, Jesus cries out as even God his Father has forsaken him. Then Jesus yells “It is finished!” and dies. But through the power of God and the Holy Spirit, Jesus rises back to life. All powerful and all victorious.

After they’ve learned how not to lose each other. Image © Paramount Pictures.

Finale Imagery (120)

The final imagery of a good movie will show the complete change. The transformation from a flawed individual to changed hero. It will be the polar opposite of what we saw at the beginning of the film.

How to Lose a Guy in 10 Days (2013)

Ben (Matthew McConaughey) has finally learned that he doesn’t want to lose the girl. He makes them both face the truth, and we end the film with her staying in New York and each of them surrendering to love.

Jerry Maguire (1996)

Jerry has his priorities right. He’s hand in hand with his wife as they step into their new life together. He’s the complete opposite of the disconnected salesman we met at the beginning.

The Greatest Showman (2017)

P.T. Barnum hands the performance over to his business partner and joins his wife and kids. Barnum finally has his priorities right. He’s figured out how to be successful and happy at the same time.

The Passion of the Christ (2003)

Jesus Christ went from despair in the garden at the opening to rising from the dead in a complete, absolute victory at the end. The film closes with Jesus walking out towards the opening of the tomb.

The risen and victorious Christ is the opposite of the beginning. Image © Icon Productions.

That’s A Wrap

Some people buck the idea of structure with writing. But just like musicians adhere to the rules of music theory, and a painter creates within the four walls of a canvas, writers follow rules for telling stories.

The rules have existed since the beginning of time. For those who master them, they can tell tales that not only entertain, but change people for the better.

Have fun discovering these points in your favorite films!

Note: The image at the top is me and my friend Alveraz Ricardez. This photo was taken by my wife during one of many screenwriting lessons. Alveraz had a lot of patience with me in that California Coffee Bean as I grasped the beginnings of writing. I’ll always owe you man!

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